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It is about "human connectedness, happiness, and the human spirit", [4] and explores themes including Darwinism, Western mores, loneliness, the economy, and the drive to war. The documentary includes animated scenes explaining scientific concepts, [ 9 ] as well as clips from the films Wall Street and It's a Wonderful Life .
All people have prejudices, but learning more about them could help keep them in check. Crowd image via www.shutterstock.com.Humans are highly social creatures. Our brains have evolved to allow us ...
The hyperlink cinema narrative and story structure can be compared to social science's spatial analysis.As described by Edward Soja and Costis Hadjimichalis spatial analysis examines the "'horizontal experience' of human life, the spatial dimension of individual behavior and social relations, as opposed to the 'vertical experience' of history, tradition, and biography."
A film, also known as a movie or motion picture, [a] is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. [1]
As the retired special forces guy cleaning up nuclear debris, Joshua (John David Washington), flatly tells a fellow worker when she posits that the AIs were indeed after their jobs: “They can ...
Connected is a Hong Kong-Chinese co-production; it was produced by Hong Kong's Emperor Motion Pictures, and Warner China Film HG, a joint venture between Warner Bros. and China Film Group. [ 5 ] The film was produced and directed by Benny Chan , and stars Louis Koo in the lead role.
The Connection is a 1961 feature film directed by the American experimental filmmaker Shirley Clarke. The film was Clarke's first feature; [4] she had made several short films over the previous decade. Jack Gelber wrote the screenplay, adapting his play of the same name. The film was the subject of significant court cases regarding censorship.
The concept of a human shrinking in size has existed since the beginning of cinema, with early films using camera techniques to change perceptions of human sizes. The earliest film to have a shrunken person was a 1901 short The Dwarf and the Giant by Georges Méliès in which a character was split into two, with one growing in size and the ...