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  2. Piano Concerto No. 20 (Mozart) - Wikipedia

    en.wikipedia.org/wiki/Piano_Concerto_No._20_(Mozart)

    Among Mozart's piano works, none are explicitly written with a part for a pedal-board. However, according to Leopold's report, at the first performance of Piano Concerto No. 20 in D Minor (K. 466), Mozart, who was the soloist and conductor, used his own piano, equipped with a pedal-board. [4]

  3. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

  4. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

  5. Prelude, Op. 28, No. 20 (Chopin) - Wikipedia

    en.wikipedia.org/wiki/Prelude,_Op._28,_No._20...

    Prelude Op. 28 - No. 20 by Ivan Ilic. The Prelude Op. 28, No. 20, in C minor by Frédéric Chopin has been dubbed the "Funeral March" by Hans von Bülow but is commonly known as the "Chord Prelude" due to its slow progression of quarter note chords. [1] It was written between 1831 and 1839. [2]

  6. Common tone (scale) - Wikipedia

    en.wikipedia.org/wiki/Common_tone_(scale)

    Common tones between G major and C major and between C major and F ♯ major, 6 and 1 common tones respectively.. A common tone is a pitch class that is a member of, or common to, a musical scale and a transposition of that scale, as in modulation. [1]

  7. Scherzo No. 1 (Chopin) - Wikipedia

    en.wikipedia.org/wiki/Scherzo_No._1_(Chopin)

    This first Scherzo takes A-B-A-Coda form and begins with two chords in fortissimo. At tremendous speed, a series of dramatic outbursts in the B minor tonic follows. Near the center of the piece, the music leads into a slower section in B major; finally one hears a tangible melody in the middle register, surrounded by accompaniment in both the left and upper right hands.

  8. Magic chord - Wikipedia

    en.wikipedia.org/wiki/Magic_chord

    Magic chord (as played in The Well-Tuned Piano). [ 3 ] The Magic Chord is a chord and installation (1984) created by La Monte Young , consisting of the pitches E, F, A, B ♭ , D, E, G, and A, in ascending order and used in works including his The Well-Tuned Piano and Chronos Kristalla (1990). [ 1 ]

  9. Category:Piano compositions in the 20th century - Wikipedia

    en.wikipedia.org/wiki/Category:Piano...

    Piano Sonata No. 3 (Prokofiev) Piano Sonata No. 4 (Prokofiev) Piano Sonata No. 5 (Prokofiev) Piano Sonata No. 6 (Prokofiev) Piano Sonata No. 7 (Prokofiev) Piano Sonata No. 8 (Prokofiev) Piano Sonata No. 9 (Prokofiev) Piano Sonata No. 10 (Prokofiev) Piano sonatas (Boulez) Piano Sonatas (Ustvolskaya) List of solo piano compositions by Francis Poulenc

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