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  2. Villeroy & Boch - Wikipedia

    en.wikipedia.org/wiki/Villeroy_&_Boch

    In 1812 Jean-François Boch began construction of kilns at the nearby town of Mettlach, Saarland. In 1824 Boch commenced transfer printing on porcelain from engraved copper plates. On 14 April 1836, the Jean François Boch company merged with that of the competitor, Nicolas Villeroy, and became Villeroy & Boch, (V&B, also simply 'VB'). In 1869 ...

  3. Vieux Luxembourg - Wikipedia

    en.wikipedia.org/wiki/Vieux_Luxembourg

    For Villeroy & Boch, that step was the establishment of a pottery in Audun-le-Tiche, Lorraine on April 1st, 1748 their first pattern, Vieux Luxembourg. Just a few decades later, the enterprise counted among the finest of European craftsmen, acclaimed as “Francois Boch et Freres, Manufacture Imperiale et Royale” of Septfontaines , near the ...

  4. Porcelain manufacturing companies in Europe - Wikipedia

    en.wikipedia.org/wiki/Porcelain_manufacturing...

    Villeroy & Boch: Mettlach, Saarland: Germany: Established in Audun-le-Tiche, Lorraine, France; the company was established in 1748, but it began to produce porcelain wares only in 1766 1768: Plymouth porcelain: Plymouth, Devon: England: Moved to Bristol 1770–1781, New Hall 1781-1835 1770: Spode: Stoke-on-Trent: England

  5. Blue Onion - Wikipedia

    en.wikipedia.org/wiki/Blue_Onion

    The Blue Onion pattern was designed by Johann Gregor Herold in 1739 likely inspired by a Chinese bowl from the Kangxi period. The pattern it was modelled after by Chinese porcelain painters, featured pomegranates unfamiliar in Saxony, so the plates and bowls produced in the Meissen factory in 1740 created their own style and feel.

  6. Wallendorfer Porzellan - Wikipedia

    en.wikipedia.org/wiki/Wallendorfer_Porzellan

    Trademarks – Wallendorf porcelain. Originally, Wallendorf porcelain was manufactured using local raw materials. This was the main reason for unclean and toned porcelain.

  7. Chantilly porcelain - Wikipedia

    en.wikipedia.org/wiki/Chantilly_porcelain

    Condé was an avid collector of East Asian porcelains, both Chinese and Japanese, and his Chantilly manufactory's first decade of output showed the marked influence of Arita porcelain, particularly in the "Kakiemon" palette of soft iron red and blue-green, seen in the tea pot at left.

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