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Donald Eugene Chambers (November 23, 1930 – July 18, 1999) was an American Marine, outlaw biker and founder of the Bandidos Motorcycle Club, in 1966 in San Leon, Texas. ...
The Bandidos Motorcycle Club, also known as the Bandido Nation, [1] is an outlaw motorcycle club with a worldwide membership. [6] [7] [8] Formed in San Leon, Texas, in 1966, the Bandidos MC is estimated to have between 2,000 and 2,500 members [5] and 303 chapters located in 22 countries, [4] making it the second-largest motorcycle club in the world behind the Hells Angels.
Bandido (supergroup), an American supergroup with Al Hurricane as the lead singer Bandido (Azúcar Moreno album), 1990 "Bandido" (Azúcar Moreno song), Spain's entry in the Eurovision Song Contest 1990, performed by Azúcar Moreno
The Outlaws are classified by various law enforcement agencies in the United States as one of the "big four" motorcycle gangs, along with the Bandidos, the Hells Angels, and the Pagans. [ 78 ] [ 79 ] [ 80 ] The Department of Justice contends that the club is involved in organized crime , including drug trafficking, extortion, money laundering ...
"Banditos" is a song by American band The Refreshments from their album Fizzy Fuzzy Big & Buzzy. The song is the band's best-known hit. A music video was produced to accompany the single, in which the members of the band robbed a bank in Mexico and fled in lead singer Roger Clyne's Toyota Land Cruiser.
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Bandidos MC criminal allegations and incidents in the United States Topics referred to by the same term This disambiguation page lists articles associated with the title Bandidos .
[5] [6] In the 1930s and 1940s, as jazz and swing music were gaining popularity, it was the more commercially successful white artists Paul Whiteman and Benny Goodman who became known as "the King of Jazz" and "the King of Swing" respectively, despite there being more highly regarded contemporary African-American artists.