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This prediction, and the strange behavior of nature at this time, stood in direct contrast with many of the feelings of the age. William Wordsworth often expresses in his writing a belief in the connection of God and nature which for much of the Romantic Era's poetry is typical.
"The Dark Man" is an early poem written by Stephen King when he was in college. It was later published in Ubris in 1969. It served as the genesis for the character of Randall Flagg. [1] An edition from Cemetery Dance Publications with illustrations from Glenn Chadbourne was released in July 2013. [2]
Dark Romanticism is a literary sub-genre of Romanticism, reflecting popular fascination with the irrational, the demonic and the grotesque. Often conflated with Gothic fiction , it has shadowed the euphoric Romantic movement ever since its 18th-century beginnings.
In the earlier poem, a young chimney sweeper recounts a dream by one of his fellows, in which an angel rescues the boys from coffins and takes them to a sunny meadow; in the later poem, an apparently adult speaker encounters a child chimney sweeper abandoned in the snow while his parents are at church or possibly even suffered death where ...
The City of Dreadful Night is a long poem by the Scottish poet James "B.V." Thomson, written between 1870 and 1873, and published in the National Reformer in 1874, [1] then, in 1880, in a book entitled The City of Dreadful Night and Other Poems. [2] The poem is noted for the pessimistic philosophy that it expresses. [3]
G. K. Chesterton, in his poem "The Logical Vegetarian", uses "I am silent on a bally peak in Darien" to mock vegetarian grandiosity. [24] In the second volume of Richard Dawkins's autobiography, Brief Candle in the Dark, he alludes to the poem in chapter three, "Lore of the Jungle", when he describes going mountain climbing in Panama (p. 43).
What we learned by rereading Joan Didion's ruthlessly honest "Goodbye to All That," the quintessential essay about leaving New York.
In 1959 M. L. Rosenthal first used the term "confessional" in a review of Robert Lowell's Life Studies entitled "Poetry as Confession". [6] Rosenthal differentiated the confessional approach from other modes of lyric poetry by way of its use of confidences that (Rosenthal said) went "beyond customary bounds of reticence or personal embarrassment". [7]