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Apologetic music is defined as the highly produced and promoted music of the "pop music" industry: music that is composed of variable parts and interchanged to create several different songs. "The social and psychological functions of popular music [are that it] acts like a social cement" [ 88 ] "to keep people obedient and subservient to the ...
Philosophy of music is the study of "fundamental questions about the nature and value of music and our experience of it". [1] The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics .
Edited by Rolf Tiedemann, with Gretel Adorno, Susan Buck-Morss and Klaus Schultz, the twenty volume edition of Adorno's writings were published from 1970 to 1986. Additionally, his Nachgelassene Schriften [NaS], edited by the Theodor W. Adorno Archive, includes his lecture courses, as well as incomplete works.
Aesthetic Theory was edited by Gretel Adorno (the philosopher's widow) and Rolf Tiedemann from Adorno's working drafts. [4] It was assembled from unfinished manuscripts Adorno had composed between May 4, 1961, and July 16, 1969, mainly between October 25, 1966, and January 24, 1968.
For instance, Adorno (a trained classical pianist) polemicized against popular music because it had become part of the culture industry of advanced capitalist society and the false consciousness that contributes to social domination. He argued that radical art and music may preserve the truth by capturing the reality of human suffering.
Aesthetics of music is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music. [1] In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization.
As Adorno writes in the dedication, the "sorrowful science" (a pun on Nietzsche's The Gay Science) with which the book is concerned is "the teaching of the good life", [5] a central theme of both the Greek and Hebrew sources of Western philosophy. In the mid-20th century, Adorno maintains that a good, honest life is no longer possible, because ...
Bernstein is an expert in Continental philosophy and a leading interpreter of the philosophy of Adorno. According to Espen Hammer, Bernstein situates Adorno "in the middle of contemporary philosophical debate in ethics," and follows him in arguing that "genuine ethical responsiveness must be sought for in the repressed margins of society". [3]