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In addition to leading the section, principal players are responsible for playing any solos written for that voice in a given musical score. The principal first violin is called the concertmaster (or "leader" in the UK) and is considered the leader of not only the string section, but of the entire orchestra, subordinate only to the conductor.
Violin Concerto "Bristlecone Concerto", for violin and chamber orchestra (1984) Double Concerto for violin, mandolin and orchestra or chamber orchestra "Would You Just As Soon Sing As Make That Noise?!" (1983) Leoš Janáček (1927) Joseph Joachim. Violin Concerto No. 1 in G minor, Op. 3 (1851), in one movement, dedicated to Franz Liszt
Presumably the Concertone was performed by the Salzburg court orchestra. Music with string solos was fashionable at the time, led by Mozart's employer Archbishop Colloredo, who himself played the violin. It was written before the 1775 violin concertos in Salzburg, and was first published in 1870 in Leipzig by August Cranz Hofmeister.
Concerto for Violin and Orchestra Op. 95 (1988–1991) György Ligeti. Violin Concerto (1992) Karol Lipiński. Violin Concerto No. 1 Op. 14 in F ♯ minor (1822) Violin Concerto No. 2 "Militaire" Op. 21 in D major (1826) Violin Concerto No. 3 Op. 24 in E minor (1830–33) Violin Concerto No. 4 Op. 32 in A major (1844) Wynton Marsalis. Violin ...
The concertmaster usually sits to the conductor's left, closest to the audience. There is also a principal second violin, a principal viola, a principal cello, and a principal bass. The principal trombone is considered the leader of the low brass section, while the principal trumpet is generally considered the leader of the entire brass section.
In an orchestra, the concertmaster is customarily the leader of the first violin section. There is another violin section, the second violins, led by the principal second violin. Any violin solo in an orchestral work is played by the concertmaster (except in the case of a violin concerto, in which case a guest soloist usually plays). [3]
Violin Concerto No. 12 in E major, Op. 27 [19] Violin Concerto No. 13 in F-sharp minor / A major, Op. posth. [8] Without opus number. 12 Etudes for Violin;
Concerto Grosso No. 2 for violin, cello and triple symphony orchestra (1981–1982) Concerto Grosso No. 3 for two violins, harpsichord, celesta, piano and 14 strings (1985) Concerto Grosso No. 4 [Symphony No. 5] for violin, oboe, harpsichord and orchestra (1988) Concerto Grosso No. 5 for violin, [offstage] piano and orchestra (1990–1991)
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