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Media art history is an interdisciplinary field of research that explores the current developments as well as the history and genealogy of new media art, digital art, and electronic art. [ 1 ] [ 2 ] [ 3 ] On the one hand, media art histories addresses the contemporary interplay of art, technology, and science.
In visual art, mixed media describes artwork in which more than one medium or material has been employed. [1] [2] Assemblages, collages, and sculpture are three common examples of art using different media. Materials used to create mixed media art include, but are not limited to, paint, cloth, paper, wood and found objects. [citation needed]
New media art has origins in the worlds of science, art, and performance. Some common themes found in new media art include databases, political and social activism, Afrofuturism, feminism, and identity, a ubiquitous theme found throughout is the
The common metadata schema used for new media art is Media Art Notation System (MANS). Despite the name "new media art", there is a diverse history of preservation and restoration efforts including both individual efforts and consortium efforts.
This is especially significant in time-based media art, as specific types of technological devices may be required for the art work or preferred by the artist. [1] Maintaining the technology that the time-based media art is played on is one conservation strategy, and what is stored depends on the equipment device. [19]
DOCAM (Documentation and Conservation of the Media Arts Heritage) was an international alliance of researchers from various institutions and disciplines dedicated to the documentation and conservation of media arts. [1] The project was the result of a five-year mandate lasting from 2005 until 2010. [2]
Arts in education is a field of educational research and practice informed by investigations into learning through arts experiences. In this context, the arts can include performing arts education (dance, drama, music), literature and poetry, storytelling, visual arts education in film, craft, design, digital art, media and photography. [89]
Oliver Grau (born 24 October 1965) is a German art historian and media theoretician with a focus on image science, modernity and media art as well as culture of the 19th century and Italian art of the Renaissance. Main Areas of Research are: Digital Art, Media Art History, immersion, digital humanities, documentation and conservation strategies ...