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Highway Hi-Fi was a system of proprietary players and seven-inch phonograph records with standard LP center holes designed for use in automobiles. Designed and developed by Peter Goldmark, [1] who also developed the LP microgroove, the discs utilized 135 grams of vinyl each, enough to press a standard 10-inch LP (12-inch LPs of the period commonly used 160 grams of vinyl each and 45s used ...
The endless loop tape cartridge was designed in 1952 by Bernard Cousino of Toledo, Ohio. [6] [7]Previously, music in the car had been restricted mostly to radios. Records, due to their methods of operation and size, were not practical for use in a car, although several companies tried to market automobile record players such as the Highway Hi-Fi and the Auto-Com flexidisc.
Chrysler's short-lived Highway Hi-Fi format also used 16 + 2 ⁄ 3 7-inch discs. Some manufacturers of very low-speed discs such as Highway Hi-Fi used shallow and narrow "ultra-microgrooves," requiring a 0.25 mil stylus – modern styluses of 0.7–1.0 mil will damage these fine grooves. [citation needed]
The 8-track tape (formally Stereo 8; commonly called eight-track cartridge, eight-track tape, and eight-track) is a magnetic-tape sound recording technology that was popular [2] from the mid-1960s until the early 1980s, when the compact cassette, which pre-dated the 8-track system, surpassed it in popularity for pre-recorded music.
Elcaset recorder released by Sony under the WEGA brand. The cassette itself looks similar to a compact cassette, only larger—about twice the size. [4] Like the earlier RCA tape cartridge, it contained 1 ⁄ 4 inch (6.4 mm) tape running at 3 + 3 ⁄ 4 inches per second (9.5 cm/s), twice the width and twice the speed of a compact cassette, providing greater frequency response and dynamic range ...
As CD rapidly overtook vinyl in the early 1990s, the addition of a bulky record player (common in midi-style systems) was discontinued. Resulting bookshelf-sized "mini" systems became more compact, which helped popularize the integrated hi-fi system. [1] [2]
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It also allowed multiple DA-88 devices to be combined to record 16 or more tracks. [1] The first models in the series (the TASCAM DA-88, DA-38, DA-98 and Sony PCM-800) recorded at 16-bit resolution. TASCAM later introduced the DA-98HR and DA-78HR, which recorded at 24-bit resolution and sample rates up to 48 kHz (for DA-78HR) and 192 kHz (for ...