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Title Director Cast Genre Notes The 51st State: Ronny Yu: Samuel L. Jackson, Robert Carlyle, Emily Mortimer, Ricky Tomlinson: Action/crime: A.I. Artificial Intelligence: Steven Spielberg
54th British Academy Film Awards; 2001 British Academy Television Craft Awards; E. 6th Empire Awards; F. List of British films of 2001; L. List of number-one DVDs of ...
Daniel Radcliffe, who portrayed the series' title character, Harry Potter, was the icon of the film series from the release of the first film in 2001. This is a list of Harry Potter cast members who portrayed or voiced characters appearing in the film series. The list below is sorted by film and the character's surname, as some characters have been portrayed by multiple actors. Overview Dozens ...
This is a chronological list of films produced in the United Kingdom split by decade. There may be an overlap, particularly between British and American films which are sometimes co-produced; the list should attempt to document films which are either British produced or strongly associated with British culture .
14 January 2001: Cast Away: £2,807,312 [2] 3: 21 January 2001: £2,402,289 [3] 4: ... List of British films — British films by year; Lists of box office number-one ...
Andrew Garfield (born 1983) (dual British and American citizenship; born in Los Angeles, California, United States) Chris Geere (born 1981) Samia Ghadie (born 1982) Mandip Gill (born 1988) Karen Gillan (born 1987) Henry Golding (born 1987) (born in Betong, Malaysia) Holliday Grainger (born 1988) Kelly Greenwood (born 1982) Lucy Griffiths (born ...
This influenced the original play as it "sprouted more female characters" and became a movie script. McKay, who both wrote the screenplay and directed the film in 1999, wanted to name the film The Sad Fuckers Club, [5] a name which he felt fit the plot line - and which, according to him, Andie MacDowell approved of when offered the role in the ...
Writing in Variety, Derek Elley noted a strong cast but felt that the script and direction were inconsistent in quality. He considered that the picture was subject to a "stiffness" typical of the period drama genre, but sensed that Goodhew had greater ambitions, with the result that the film felt "like a much bigger picture trapped in a small ...