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The Middle German house (German: mitteldeutsches Haus) is a style of traditional German farmhouse which is predominantly found in Central Germany. It is known by a variety of other names, many of which indicate its regional distribution: Ernhaus (hall house, hall kitchen house) Oberdeutsches Haus (Upper German house) Thüringisches Haus ...
The German name, Fachhallenhaus, is a regional variation of the term Hallenhaus ("hall house", sometimes qualified as the "Low Saxon hall house").In the academic definition of this type of house the word Fach does not refer to the Fachwerk or "timber-framing" of the walls, but to the large Gefach or "bay" between two pairs of the wooden posts (Ständer) supporting the ceiling of the hall and ...
Adolf Hitler, Gerdy Troost, Adolf Ziegler, and Joseph Goebbels on a tour of the Haus der Deutschen Kunst, 5 May 1937. Gerhardine "Gerdy" Troost (née Andresen; 3 March 1904 – 30 January 2003), was a German architect, interior designer, interior decorator, and the wife of Paul Ludwig Troost.
Austrian Biedermeier sofa, c. 1815–1825, mahogany, upholstery (not original), Montreal Museum of Fine Arts (Montreal, Canada) The Biedermeier period was an era in Central European art and culture between 1815 and 1848 during which the middle classes grew in number and artists began producing works appealing to their sensibilities.
It has published photographs of the latest trends in furniture design, color palettes and room arrangements. [1] Later its coverage was expanded to feature articles about architecture, lifestyle, gardening and travel. [3] The magazine is the first German publication which employed the term design classic in 1974. [4]
Drawing from traditional German printmaking, the style uses precise and hard edges, an element that was rather different from the flowing lines seen in Art Nouveau elsewhere. Henry Van de Velde , who worked most of his career in Germany, was a Belgian theorist who influenced many others to continue in this style of graphic art including Peter ...
Postmodern design, intersecting the Pop art movement, gained steam in the 1960s and 70s, promoted in the 80s by groups such as the Italy-based Memphis movement. Transitional furniture is intended to fill a place between Traditional and Modern tastes. [citation needed]
It was the German counterpart of Art Nouveau. The members of the movement were reacting against the historicism and neo-classicism of the official art and architecture academies. It took its name from the art journal Jugend, founded by the German artist Georg Hirth. It was especially active in the graphic arts and interior decoration. [2]