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A spill vase, or spill holder is a small cylindrical vase or wall-hanging vase for containing splints, spills, and tapers for transferring fire, for example to light a candle or pipe from a lit fire. From the documentary record, they probably date back to the 15th century, though the heyday of specially made vases is the 19th century.
Gothic châsse; 1185–1200; champlevé enamel over copper gilded; height: 17.7 cm (7.0 in), width: 17.4 cm (6.9 in), depth: 10.1 cm (4.0 in). Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C (1,380 and 1,560 °F).
The mounts referred to in the 1823 description were of enamelled silver-gilt and were added to the vase in Europe in 1381. An 18th-century water colour of the vase complete with its mounts exists, but the mounts themselves were removed and lost in the 19th century. The vase is now in the National Museum of Ireland.
The original Japanese cultured pearls, known as akoya pearls, are produced by a species of small pearl oyster, Pinctada fucata martensii, which is no bigger than 6 to 8 cm (2.4 to 3.1 in) in size, hence akoya pearls larger than 10 mm in diameter are extremely rare and highly priced. Today, a hybrid mollusk is used in both Japan and China in the ...
The iridescent nacre inside a nautilus shell Nacreous shell worked into a decorative object. Nacre (/ ˈ n eɪ k ər / NAY-kər, also / ˈ n æ k r ə / NAK-rə), [1] also known as mother-of-pearl, is an organic–inorganic composite material produced by some molluscs as an inner shell layer.
Blue-and-white ceramic lampstand, and phoenix-shaped vase ewers dated to the Later Lê dynasty, 15th century. Provenance Chu Đậu kiln, Hải Dương province. The Hội An wreck lies 22 miles off the coast of central Vietnam in the South China Sea. The ship was carrying a large cargo of Vietnamese ceramics from the mid- to late-15th century.
Every-day vases were often not painted, but wealthy Greeks could afford luxuriously painted ones. Funerary vases on male graves might have themes of military prowess, or athletics. However, allusions to death in Greek tragedies was a popular motif. Famous centers of vase styles include Corinth, Lakonia, Ionia, South Italy, and Athens. [1]
The Byzantines perfected a unique form of cloisonné icons. Byzantine enamel spread to surrounding cultures and a particular type, often known as "garnet cloisonné" is widely found in the Migration Period art of the "barbarian" peoples of Europe, who used gemstones, especially red garnets, as well as glass and enamel, with small thick-walled cloisons.
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