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Prince Lev Nikolayevich Myshkin (pre-reform Russian: князь Левъ Николаевичъ Мышкинъ; post-reform Russian: князь Лев Николаевич Мышкин, romanized: knyazʹ Lev Nikoláyevich Mýshkin) is the main protagonist of Fyodor Dostoevsky's 1869 novel The Idiot.
Get to know the real-life character—and the details of her sordid student-teacher love story. The Real Story of Mary Kay Latourneau, the Teacher Who Inspired the New Film, 'May December' Skip to ...
The film is based on the true story of a corporate war in the mid-1990s between cosmetics queen Mary Kay Ash and an ambitious newcomer, Jinger Heath, who launches a rival company. [2] A co-production between Canada and the United States, the film premiered on CBS on October 6, 2002.
The quoted figure of US$1,057.14 per year (2015) for the average consultant derives from dividing the annual wholesale sales by Mary Kay Inc., by the number of Mary Kay consultants. [10] Based upon information supplied by Mary Kay (USA) to the Federal Trade Commission, [32] Mary Kay has a 68.6% per annum
Here's how her story compares to the movie. What happened to Mary Kay Letourneau? The May December inspiration died in 2020 of cancer. Here's how her story compares to the movie.
Mary Kay Ash (born Mary Kathlyn Wagner; May 12, 1918 – November 22, 2001) was an American businesswoman and founder of Mary Kay Cosmetics, Inc. At her death, she had a fortune of $98 million, and her company had more than $1.2 billion in sales with a sales force of more than 800,000 in at least three dozen countries.
Mary Katherine Schmitz was born in 1962 in Tustin, California, to Mary E. (née Suehr), a former chemist, and John G. Schmitz (1930–2001), a community college instructor and politician. [9] [10] She was known as Mary Kay to her family. [11] Letourneau was the third of seven children and the first daughter, raised in a "strict Catholic household."
The character of Prince Myshkin was originally intended to be an embodiment of this "lofty (Russian) Christian idea". [12] With the character's immersion in the increasingly materialistic and atheistic world of late 19th century Russia, the idea is constantly being elaborated, tested in every scene and against every other character.