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William Atherton (born July 30, 1947) is an American actor. He had starring roles in The Sugarland Express (1974), The Day of the Locust (1975), The Hindenburg (1975) and Looking for Mr. Goodbar (1977), but is most recognized for what have become iconic roles in the Ghostbusters and Die Hard film series.
Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
The emails eventually reveal that she is under the control of William Afton, and that Ness is Vanny from Five Nights at Freddy's: Help Wanted ("Ness" being short for Vanny's real name "Vanessa"), who was possessed by Afton after encountering a digital form of him while play-testing one of Fazbear's products. Another series of emails tells the ...
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
In order for artwork to appear in film or television, filmmakers must go through a process of acquiring permission from artists, their estates or whoever the owner of the photographic rights may be, lest they become embroiled in a potential lawsuit, such as was the case for Warner Bros. with sculptor Frederick Hart following the reproduction of his piece Ex Nihilo in Devil's Advocate, as well ...
Jigsaw is a 1949 American film noir crime drama directed by Fletcher Markle starring Franchot Tone, Jean Wallace and Marc Lawrence.The feature was produced by the Danziger Brothers, Edward J. Danziger and Harry Lee Danziger from a screenplay by Vincent McConnor and Fletcher Markle, which was based on a story by John Roeburt.
The film was restored by the UCLA Film & Television Archive, in cooperation with Paramount Pictures (keeper of the Republic Pictures/Melange Pictures backlog, which this film is a part of), and Warner Bros. (rightsholder via Turner Entertainment of the library of original distributor RKO), funded by the Film Noir Foundation. [5]
The Dark Corner is a 1946 American crime film noir directed by Henry Hathaway and starring Lucille Ball, Clifton Webb, William Bendix and Mark Stevens. [2] The film was not a commercial success but has since been described as a "Grade A example of film noir ."