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Philippine New Wave (known as Filipino New Wave or Contemporary Philippine Cinema) is a filmmaking term that has been popularly associated with the resurgence of independent, digital and experimental films in the Philippines began in the 21st century, and merged into a recent filmmaking period known as the Third Golden Age of Philippine cinema ...
The Metro Manila Film Festival Award for Best Visual Effects is an award presented annually by the Metropolitan Manila Development Authority (MMDA). It was first awarded at the 16th Metro Manila Film Festival ceremony, held in 1990; Sammy Arranzamendez and Benny Batoccoy won the award for their creation of visual effects in Shake, Rattle & Roll II and it is given to an animator(s) who ...
The National Film Archives of the Philippines houses the history of Philippine Cinema and protects the country's cultural legacy in film through the preservation, retrieval, and restoration of film negatives, prints and other film related material and promotes these to provide a wider appreciation of the cinema history by making them available ...
2001 in the Philippines; 2002 in the Philippines; 2003 in the Philippines; 2004 in the Philippines; 2005 in the Philippines; 2006 in the Philippines; 2007 in the Philippines; 2008 in the Philippines; 2009 in the Philippines; 2010 in the Philippines; 2011 in the Philippines; 2012 in the Philippines; 2013 in the Philippines; 2014 in the ...
The early years of Philippine animation were mainly commercial advertising in the 1950s and later reinvented as a medium and art form started in 1961. Painter Rodolfo Paras-Perez and cartoonists Lauro "Larry" Alcala, José Zabala-Santos and Francisco Reyes are considered the founding fathers of Philippine animation in mid-20th century. [2]
History of the Philippines (1986–present) (3 C, 20 P) M. ... Pages in category "21st century in the Philippines" The following 3 pages are in this category, out of ...
Mark Cotta Vaz; Craig Barron: The Invisible Art: The Legends of Movie Matte Painting. San Francisco, Cal.: Chronicle Books, 2002; ISBN 0-8118-3136-1; Peter Ellenshaw; Ellenshaw Under Glass – Going to the Matte for Disney Archived 2008-05-19 at the Wayback Machine; Richard Rickitt: Special Effects: The History and Technique.
ABS-CBN Film Restoration Project or also known as Sagip Pelikula, is a digital film restoration project of ABS-CBN Corporation in partnership with Central Digital Lab. The project is headed by Leo Katigbak of ABS-CBN Film Archives and Manet Dayrit of Central Digital Lab.