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Antonín Dvořák's cello concerto ranks among the supreme examples from the Romantic era while Robert Schumann's focuses on the lyrical qualities of the instrument. The instrument was also popular with composers of the Franco-Belgian tradition: Saint-Saëns and Vieuxtemps wrote two cello concertos each and Lalo and Jongen one.
A piano concerto, a type of concerto, is a solo composition in the classical music genre which is composed for piano accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuosic showpieces which require an advanced level of technique.
Philip Marlowe Concerto (Piano Concerto No. 2) Piano Concerto No. 2 for the left hand (in C minor and E-flat major) (Bortkiewicz) Piano Concerto No. 3 "Per aspera ad astra" (Sergei Bortkiewicz) Piano Concerto No. 1 (Arthur De Greef) Piano Concerto (Delius) Piano Concerto No. 1 (Concerto capriccioso) (Théodore Dubois)
For example, the piano concerto may well not include a well-defined second group of subjects in the prelude; and in particular, does not include a definitive modulation to the dominant in this section, as might be expected from sonata form, even though Mozart feels free to shift the sense of tonality around in this and other sections. The ...
Piano Concerto No. 1 in B ♭ minor, Op. 23 (1874–75) Sérénade mélancolique, Op. 26, for violin and orchestra (1875) Variations on a Rococo Theme for cello and orchestra, Op. 33 (1876–77) Valse-Scherzo for violin and orchestra, Op. 34; Violin Concerto in D major, Op. 35 (1878) Piano Concerto No. 2 in G major, Op. 44 (1879–80)
Concerto for Flute, Harp, and Orchestra in C major, K. 299 (1778) Oboe Concerto in C major, K. 314 (1777) (has come down to us as the second flute concerto, but was almost certainly an oboe concerto) Flute Concerto No. 1 in G major, K. 313 (1778) Flute Concerto No. 2 in D major, K. 314 (1778) (an arrangement of the above Oboe Concerto)
Concerto for Piano and Orchestra No. 1, Op. 30 (1938) Concerto for Piano and Orchestra No. 2, Op. 131 (1967) Concerto for Piano and Orchestra No. 3, Op. 162 (1973) John Adams. Grand Pianola Music (1982) Eros Piano (1989) Century Rolls for piano and orchestra (1997) Must the Devil Have All the Good Tunes? (2018) Richard Addinsell. Warsaw ...
His Violin Concerto (1931), for example, comprises a Toccata, two Arias, and a Capriccio, and the soloist is treated more as a member of the ensemble than as a virtuoso protagonist. The solo concertos of Paul Hindemith (8 for various instruments, 1939–62) are more traditional than Stravinsky's in their treatment of the relationship between ...