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Thomas Tallis, 18th-century engraving; a posthumous, invented portrait [1] by Gerard Vandergucht This is a list of compositions by the English composer Thomas Tallis (c. 1505–1585). Masses
Thomas Tallis (c. 1505 – 23 November 1585; [n 1] also Tallys or Talles) was an English composer of High Renaissance music. His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music .
Rice, John A., Saint Cecilia in the Renaissance: The Emergence of a Musical Icon Chicago: University of Chicago Press, 2022. Rodríguez-Garcia, Esperanza, and Daniele V. Filippi, eds, Mapping the Motet in the Post-Tridentine Era. Abingdon: Routledge, 2019; Schmidt, Thomas, The Motet around 1500: On the Relationship between Imitation and Text ...
Compositions by English Renaissance composer Thomas Tallis Pages in category "Compositions by Thomas Tallis" The following 4 pages are in this category, out of 4 total.
Thomas Tallis, a prominent musician of the Chapel Royal at the time, was among the first to write sacred music in English. [ 7 ] "If Ye Love Me" is a setting for an a cappella choir of four voice parts, and it is a noted example of this Reformation compositional style, essentially homophonic [ citation needed ] but with some elaboration and ...
Spem in alium (Latin for "Hope in any other") is a 40-part Renaissance motet by Thomas Tallis, composed in c. 1570 for eight choirs of five voices each. It is considered by some critics to be the greatest piece of English early music. H. B. Collins described it in 1929 as Tallis's "crowning achievement", along with his Lamentations. [1]
The United Electrical Workers union is teaming up with an art group to save a historic mural — considered one of the oldest public art pieces in the Chicago area — inside its Near West Side ...
Thomas Tallis: c. 1505 1585 Magnificat (a 4) in Dorian Service: Vincenzo Ruffo: c. 1508 1587 Magnificats Antonio de Cabezón: 1510 1566 sets of six or seven Magnificat verses in eight tones Christian Hollander: c. 1510–15 1568–69 Ten Magnificats (using eight tones, two versions in seventh and eight tone) Cipriano de Rore: 1515–16 1565