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  2. Strange Tales from a Chinese Studio - Wikipedia

    en.wikipedia.org/wiki/Strange_Tales_from_a...

    Liaozhai zhiyi, sometimes shortened to Liaozhai, known in English as Strange Tales from a Chinese Studio, Strange Stories from a Chinese Studio, Strange Tales from Make-Do Studio, or literally Strange Tales from a Studio of Leisure, is a collection of Classical Chinese stories by Qing dynasty writer Pu Songling, comprising close to 500 stories or "marvel tales" [1] in the zhiguai and chuanqi ...

  3. The Frog God - Wikipedia

    en.wikipedia.org/wiki/The_Frog_God

    The story, described as a piece of "sacred-profane love fiction", was discussed alongside "Zhu-qing", another entry in Strange Tales from a Chinese Studio, at the 5th Hawaii International Conference on Arts and Humanities in 2007; Grace Lau Yinping posits that "The Frog God" is a reflection of "realistic ... (and) different marital problems ...

  4. Pu Songling - Wikipedia

    en.wikipedia.org/wiki/Pu_Songling

    Pu was born into a poor merchant family from Zichuan (淄川, in Zibo, Shandong).At the age of 18, he received the Xiucai degree in the Imperial examination.It was not until he was 71 that he was awarded the Gongsheng ("tribute student") degree for his achievement in literature rather than for passing the Imperial exam.

  5. A Sequel to the Yellow Millet Dream - Wikipedia

    en.wikipedia.org/wiki/A_Sequel_to_the_Yellow...

    Originally titled "Xu Huangliang" (续黄粱) and collected in Pu Songling's Strange Tales from a Chinese Studio (Liaozhai; 1740), the story was one of the first two Liaozhai entries translated by British sinologist Herbert Giles into English (alongside "The Raksha Country and the Sea Market") prior to the publication of Strange Stories from a ...

  6. The Raksha Country and the Sea Market - Wikipedia

    en.wikipedia.org/wiki/The_Raksha_Country_and_the...

    Prior to the publication of Strange Stories from a Chinese Studio (1880), which is widely regarded as the first substantial translation of Liaozhai, [14] British sinologist Herbert Giles had already translated two Liaozhai entries into English – "The Lo-Ch'a Country and the Sea Market" and "Dr. Tsêng's Dream" – in 1877.

  7. The Painted Skin - Wikipedia

    en.wikipedia.org/wiki/The_Painted_Skin

    "The Painted Skin" (Chinese: 畫皮; pinyin: Huàpí) is a short story by the Chinese writer Pu Songling collected in Strange Tales from a Chinese Studio in 1740. Literary critics have recognised it as one of the best and best-known entries in Strange Tales; in particular, its textual detail and in-depth characterisation are lauded. "The ...

  8. The Black Ghosts (short story) - Wikipedia

    en.wikipedia.org/wiki/The_Black_Ghosts_(short_story)

    "The Black Ghosts" (Chinese: 黑鬼; pinyin: Hēiguǐ) is a short story written by Chinese author Pu Songling collected in Strange Tales from a Chinese Studio (Liaozhai; 1740). It concerns a Chinese official who purchases a pair of "black ghosts" (a pejorative for African slaves), and details how they are exploited. The story was fully ...

  9. Xianü (short story) - Wikipedia

    en.wikipedia.org/wiki/Xianü_(short_story)

    Pu was evidently influenced by Tang nüxia stories; Karl S. Y. Yao suggests that Pu's main source was "Guren Qi" (賈人妻), [6] whereas Roland Altenburger argues that "the most likely point of reference" for "Xianü" was "Cui Shensi" (崔慎思), given the "greatest number of common elements" that both stories share. [7] Pu was believed to ...

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