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Kandinsky also developed a theory of geometric figures and their relationships, claiming (for example) that the circle is the most peaceful shape and represents the human soul. [ failed verification ] These theories are explained in Point and Line to Plane .
The phrase synesthesia in art has historically referred to a wide variety of artists' experiments that have explored the co-operation of the senses (e.g. seeing and hearing; the word synesthesia is from the Ancient Greek σύν (syn), "together," and αἴσθησις (aisthēsis), "sensation") in the genres of visual music, music visualization, audiovisual art, abstract film, and intermedia ...
Kandinsky's pieces were part of a larger trend of their era that addressed color theory and synesthesia in works that blended multiple art forms and media. Such works — Scriabin's Prometheus (1910) is arguably among the best known — utilized lighting techniques and other innovations to extend the normal range of artistic expression. [ 4 ]
The Noisy Paint Box: The Colors and Sounds of Kandinsky’s Abstract Art is a 2014 children's picture book written by Barb Rosenstock and illustrated by Mary GrandPré. It tells the story of Russian-born abstract artist Vasily Kandinsky , "who is known for his abstract paintings with colorful geometric shapes and bold strokes". [ 1 ]
[5] [128] Like Kandinsky, he "found inspiration in Theosophy and the occult, and promoted a subjective-intuitive approach to art." [129] Among the Theosophical sources, Besant and Leadbeater's book Thought-Forms [22] had great influence for him. [130] He interested in the Theosophical theory of colour as well as scientific one. [131]
As Macdonald-Wright said,"Synchromism simply means 'with color' as symphony means 'with sound.'" [3] The phenomenon of "hearing" a color or the pairing of two or more senses--synesthesia—was also central to the work of Wassily Kandinsky, who was developing his own synesthetic paintings, or "compositions," in Europe at approximately the same time.
This form of synesthesia was named "OLP" in the contemporary literature by Julia Simner and colleagues [36] although it is now also widely recognized by the term "sequence-personality" synesthesia. Ordinal linguistic personification normally co-occurs with other forms of synesthesia such as grapheme–color synesthesia.
In Flournoy's 1893 reports on OLP, one synesthete identified as Mme L. reports that "1, 2, 3 are children without fixed personalities; they play together. 4 is a good peaceful woman, absorbed by down-to-earth occupations and who takes pleasure in them. 5 is a young man, ordinary and common in his tastes and appearance, but extravagant and self-centered. 6 is a young man of 16 or 17, very well ...