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Epiphany in literature refers generally to a visionary moment when a character has a sudden insight or realization that changes their understanding of themselves or their comprehension of the world. The term has a more specialized sense as a literary device distinct to modernist fiction. [ 1 ]
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
Art scholar John Baur described it as "a form of realism modified to express a romantic attitude or meaning". [8] According to Theodor W. Adorno, the term "romantic realism" was used by Joseph Goebbels to define the official doctrine of the art produced in Nazi Germany, although this usage did not achieve wide currency. [9]
English literature is literature written in the English language from the English-speaking world. The English language has developed over more than 1,400 years. [ 1 ] The earliest forms of English, a set of Anglo-Frisian dialects brought to Great Britain by Anglo-Saxon settlers in the fifth century, are called Old English .
A view of the Roman Campagna from Tivoli, evening by Claude Lorrain, 1644–1645. Picturesque is an aesthetic ideal introduced into English cultural debate in 1782 by William Gilpin in Observations on the River Wye, and Several Parts of South Wales, etc. Relative Chiefly to Picturesque Beauty; made in the Summer of the Year 1770, a practical book which instructed England's leisured travellers ...
The following are the two main definitions relating to literature found in the Oxford English Dictionary: A fictitious narrative, usually in prose, in which the settings or the events depicted are remote from everyday life, or in which sensational or exciting events or adventures form the central theme; a book, etc., containing such a narrative.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
In a review of contemporary criticism of "Ode to a Nightingale" in 1998, James O'Rouke claimed that "To judge from the volume, the variety, and the polemical force of the modern critical responses engendered, there have been few moments in English poetic history as baffling as Keats's repetition of the word 'forlorn'". [42]