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As both "neo-bop" and "post-bop" refer to eclectic mixtures of styles from the bebop and post-bebop eras, the precise differences in musical style between the two are not clearly defined from an academic standpoint. [citation needed] In the United States, Wynton Marsalis and "The Young Lions," for example, have been associated with neo-bop and ...
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Neo-swing: The name given to the renewed interest in swing music from the 1930s and 40s. Many neo-swing bands practiced contemporary fusions of swing, jazz, and jump blues with rock, punk rock, ska, and ska punk music or had roots in punk, ska, ska punk, and alternative rock music. 1990s -> Jazz noir [4] A form of slow or erratic contemporary jazz.
Neo-bop as a subgenre emerged within jazz during the early 1980s. This list is derived from All Music [ 1 ] and may contain inaccuracies. In addition the source indicates most or all these musicians work in others genres as well with Post-bop and Hard bop being most common.
Post-bop isn't free or fusion or hard-bop or modal or avant-garde." [3] Some writers have defined post-bop with specificity, but these sources conflict with one another. [1] One potential definition of post-bop is a musical period in which modern jazz was at its greatest mainstream popularity extending from the mid-1950s through to the mid-1960s.
Folk jazz is a musical style that combines traditional folk music with elements of jazz, usually featuring richly texturized songs.Its origins can be traced back to the 1950s, when artists like Jimmy Giuffre and Tony Scott pursued distinct approaches to folk music production, initially, as a vehicle for soloist expression. [1]
The "young lions" phrase was revived in jazz in the 1980s when, as in 1960, there was a tension between the modern jazz traditionalists and the avant-garde. A group of young musicians including Wynton Marsalis who played neo-bop jazz were frequently referred to in the jazz press as "young
Sheets of sound was a term coined in 1958 by DownBeat magazine jazz critic Ira Gitler to describe the new, unique improvisational style of John Coltrane. [ 1 ] [ 2 ] Gitler first used the term on the liner notes for Soultrane (1958).