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Hip hop producer and rapper RZA in a music studio with two collaborators. Pictured in the foreground is a synthesizer keyboard and a number of vinyl records; both of these items are key tools that producers and DJs use to create hip hop beats. Hip hop production is the creation of hip hop music in a recording studio.
Musical outboard equipment or outboard gear is used to process or alter a sound signal separately from functionality provided within a mixing console or a digital audio workstation. Outboard effects units can be used either during a live performance or in the recording studio.
The Roland TR-808 Rhythm Composer, commonly known as the 808, is a drum machine manufactured by Roland Corporation between 1980 and 1983. It was one of the first drum machines to allow users to program rhythms instead of using preset patterns.
Hip hop music DJs and Dub producers and engineers were early users of the mixing board as a musical instrument. In the 1970s, hip-hop DJs developed a technique of adjusting the fader and crossfader controls of mixers at the same time as they manipulated records on turntables, creating unique rhythmic scratching effects.
The output from a DJ mixer is typically plugged into a sound reinforcement system or a PA system at a dance, rave, nightclub or similar venue or event. The sound reinforcement system consists of power amplifiers which amplify the signal to the level that can drive speaker enclosures, which since the 1980s typically include both full-range speakers and subwoofers for the deep bass sounds.
During the 1970s, the "studio as instrument" concept shifted from the studio's recording space to the studio's control room, where electronic instruments could be plugged directly into the mixing console. [14] As of the 2010s, the "studio as instrument" idea remains ubiquitous in genres such as pop, hip-hop, and electronic music. [15]
With the equipment and editing software and hardware it has, the recording studio offers studio time for any genre of music, from Rock to Hip Hop and voiceovers. [17] Over the years, the facility on Paterson Plank road has been renovated several times, and the business has grown from about $2000 of gear used by Gilles in his basement to record ...
The studio quickly gained a reputation in the international recording industry with the unprecedented commercial success of their rap artists. [7] They garnered attention by producing iconic 1980s rap albums like Radio by LL Cool J in 1984–85, Raising Hell by Run-DMC in 1985–1986, Licensed to Ill by the Beastie Boys in 1986, and It Takes a Nation of Millions to Hold Us Back by Public Enemy ...
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