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By the 14th century, the breviary contained the entire text of the canonical hours. In general, when modern secular books reference canonical hours in the Middle Ages, these are the equivalent times: Vigil (eighth hour of night: 2 a.m.) Matins (a later portion of Vigil, from 3 a.m. to dawn) Lauds (dawn; approximately 5 a.m., but varies seasonally)
The Liturgy of the Hours (Latin: Liturgia Horarum), Divine Office (Latin: Officium Divinum), or Opus Dei ("Work of God") are a set of Catholic prayers comprising the canonical hours, [a] often also referred to as the breviary, [b] of the Latin Church. The Liturgy of the Hours forms the official set of prayers "marking the hours of each day and ...
The Assyrian Church of the East has its own 7 canonical hours. In the Eastern Orthodox Church, the Divine Office is found in the Horologion, which consists of eight canonical hours: Vespers (sunset), Compline (before sleep), Midnight Office, Orthros (sunrise), 1st hour (07:00), 3rd hour (09:00), 6th hour (12:00), and 9th hour (15:00).
The canonical hours of the Breviary owe their remote origin to the Old Covenant when God commanded the Aaronic priests to offer morning and evening sacrifices. Other inspiration may have come from David's words in the Psalms "Seven times a day I praise you" (Ps. 119:164), as well as, "the just man meditates on the law day and night" (Ps. 1:2).
Canonical hours, the divisions of the day in terms of periods of fixed prayer at regular intervals. Canonical law, a set of ordinances and regulations governing a Christian church or community; Canonical texts or biblical canon, the texts accepted as part of the Bible Canonical gospel, the four gospels accepted as part of the New Testament
The horologion or horologium (pl. horologia), also known by other names, is the book of hours for the Eastern Orthodox and Eastern Catholic Churches. [1] It provides the acolouthia (ἀκολουθίαι, akolouthíai), the fixed portions of the Divine Service used every day at certain canonical hours.
The canonical hours create a framework for the dramatization of Auden's religious position, which he described in a letter as "very much the same as Reinhold [Neibuhr]'s, i.e. Augustinian, not Thomist (I would allow a little more place, perhaps, for the Via Negativa.)
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