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Uli is generally not sacred, apart from those images painted on the walls of shrines and created in conjunction with some community rituals. [3] In addition, uli is not directly symbolic but instead focused on the creation of a visual impact [ 1 ] and decorating the body of the patron or building in question.
IFAN Museum of African Arts (Musée Théodore Monod d'Art Africain), Dakar, 1938 Institut Pasteur de Dakar (IPD, Pasteur Institute), Dakar, 1928 National Office of Veterans Affairs (Office national des Anciens Combattants), Dakar
To most African populations, clothing is a significant and important part of the engagement ceremony and the religious marriage ceremony. The wedding attire worn during these ceremonies depends heavily on the ethnic group being examined. Traditional African clothing is typically vibrant and colourful.
It is stated that, "People of the Zulu culture admire elegant design and fine craftsmanship in everyday object serving dishes, tools and utensils, smoking pipes, and accessory boxes" (Richard B, 50). On the other hand, most traditional African baskets were made of materials like grass and leaves that would be considered textile weaving.
African masks often represent a spirit and it is strongly believed that the spirit of the ancestors possesses the wearer. Most African masks are made with wood, and can be decorated with: Ivory, animal hair, plant fibers (such as raffia), pigments (like kaolin), stones, and semi-precious gems also are included in the masks.
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Like all forms of design, African design is defined by its creativity and continuous evolution. Design is a form of story-telling and it is a medium through which those stories are told. In 2009, Chimamanda Ngozi Adichie spoke on "The Danger of a Single Story" which has become one of the top ten most-viewed TED Talks of all time. For years ...
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