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Muhammad: The Last Prophet (2002), the classic children's retelling of the life of the Last Prophet Muhammad. Great Women of Islam (2012), describing the roles of women in Arabia before and after the birth of Islam. Salman the Persian (2012), a retelling of the beloved story of Salman's quest for religious enlightenment.
Laith, an Iraqi child in the middle of a war-torn country at the hands of ISIS, after losing his mother, finds himself a new home with an elderly woman who tells him the story of Fatima, the daughter of Muhammad, from the Shia perspective, explaining how she was the first victim of terrorism.
Muhammad: The Messenger of God—Original Motion Picture Soundtrack is the soundtrack album composed by A. R. Rahman (featuring the trio Le Trio Joubran) to the 2015 Iranian Islamic epic film of the same name. The film is directed by Majid Majidi and co-written with Kambuzia Partovi. The soundtrack was released by Sony DADC on 23 December 2015. [1]
Muhammad: The Messenger of God (Persian: محمد رسولالله, romanized: Mohammad Rasulollah) is a 2015 Iranian Islamic epic film directed by Majid Majidi and co-written with Kambuzia Partovi. Set in the sixth century, the plot revolves around the childhood of the Islamic prophet Muhammad.
The movie was released in limited cinemas in the United States and the United Kingdom. The film focuses on the early days of Islam and Muhammad. [2] In accordance with Islamic law and tradition, Muhammad and the first four caliphs (Abu Bakr, Umar, Uthman, and Ali) are not depicted in the film or any of its prequels.
Muhammad Bukhari was born in Degel, a small town in the Hausa kingdom of Gobir. His father Usman dan Fodio was a noted Islamic scholar and preacher from the Fulani clan of Torodbe. His mother Aisha came from a family with a long tradition of scholarship. [1] Bukhari studied under his father, and his uncle, Abdullahi. Because he was raised in ...
This commentary features the original Arabic text of Sahih al-Bukhari alongside a literal Urdu translation, enhancing its accessibility to a wider audience. It provides biographical information about hadith scholars and narrators in the transmission chains, as well as delves into various facets of Islamic jurisprudence and theology.
Islamic music is also credited with influencing European and Western music; for example, French musicologist Baron Rodolphe d'Erlanger in his assessment of the Abbasid Caliphate in Islamic history credits Abu Nasr Muhammad al-Farabi's Kitabu l'musiqi al-kabir ("The Great Book of Music") with this influence. [14]