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Longfellow wrote the poem shortly after completing lectures on German writer Johann Wolfgang von Goethe and was heavily inspired by him. He was also inspired to write it by a heartfelt conversation he had with friend and fellow professor at Harvard University Cornelius Conway Felton; the two had spent an evening "talking of matters, which lie near one's soul:–and how to bear one's self ...
8. “When I’m hungry, I eat what I love. When I’m bored, I do something I love. When I’m lonely, I connect with someone I love. When I feel sad, I remember that I am loved.”
I think that you will all agree that we are living in most interesting times. (Hear, hear.) I never remember myself a time in which our history was so full, in which day by day brought us new objects of interest, and, let me say also, new objects for anxiety. (Hear, hear.) [emphasis added] [1]
If You Find This World Bad, You Should See Some of the Others", also known as the "Metz speech", is a 1977 speech and essay by science fiction writer Philip K. Dick. He delivered it as the guest of honor on September 24, 1977, at the Second Metz International Science Fiction Festival in Metz, France .
This ethic was articulated by Bessie Anderson Stanley in 1911 (in a quote often misattributed to Ralph Waldo Emerson): "To leave the world a bit better, whether by a healthy child, a garden patch or a redeemed social condition; To know even one life has breathed easier because you have lived. This is to have succeeded."
Second Principle: You have a strong feeling, a deep realization, that you are unborn. You are not born, you do not experience a life, and you do not disappear, you do not die ... You exist as I Am. You have always existed and you will always exist. You exist as pure intelligence, as absolute reality. That is your true nature. You exist as sat ...
Realizing he cannot hold on to even one grain of sand, he is led to his final question whether all things are just a dream. [ 2 ] It has been suggested that the "golden sand" referenced in the 15th line signifies that which is to be found in an hourglass , consequently time itself. [ 3 ]
When they realise it is a mannequin, and is not subjective, the world seems to transfer back, and they are again in the center of a universe. This is back to the pre-reflective mode of being, it is "the eye of the camera that is always present but is never seen". [ 9 ]