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Iwein is generally regarded as the last of Hartmann's works. [1] It must already have been well known to the audience for Wolfram's Parzival, since Wolfram alludes in two passages (253, 10–14 and 436,1–10) to a specific scene in Iwein: he contrasts the faithfulness of Sigûne to her dead suitor Schianatulander with Lûnete's advice to Laudine in Iwein to marry her husband's killer (Iwein ...
The Merseburg charms are the only known surviving relics of pre-Christian, pagan poetry in Old High German literature. [3]The charms were recorded in the 10th century by a cleric, possibly in the abbey of Fulda, on a blank page of a liturgical book, which later passed to the library at Merseburg.
The Defense (also known as The Luzhin Defense; [1] [2] [3] Russian: Защита Лужина, romanized: Zashchita Luzhina) is the third novel written by Vladimir Nabokov after he had immigrated to Berlin. It was first published in Russian 1930 and later in English in 1964.
[1]: 616 Fantasy writers use a variety of techniques to limit the magic in their stories, [5] such as limiting the number of spells a character has or may cast before needing rest, [5] restricting a character's magic to the use of a specific object, [5] limiting magic to the use of certain rare materials, [6] or restricting the magic a ...
Black magic as a category didn't exist in ancient Mesopotamia, and a person legitimately using magic to defend themselves against illegitimate magic would use exactly the same techniques. [4] The only major difference was the fact that curses were enacted in secret; [ 4 ] whereas a defense against sorcery was conducted in the open, in front of ...
A common misconception is that the reveal itself is a Chekhov's gun plot element. There are however exceptions in the James Bond films; in Licence to Kill for example, Bond gets an instant camera with a built-in laser gun that takes X-ray pictures, but is immediately used for comedic effect and makes no further appearance in the film.
The third act features the resolution of the story and its subplots. The climax is the scene or sequence in which the main tensions of the story are brought to their most intense point and the dramatic question answered, leaving the protagonist and other characters with a new sense of who they really are.
In the first definitive book on defence mechanisms, The Ego and the Mechanisms of Defence (1936), [7] Anna Freud enumerated the ten defence mechanisms that appear in the works of her father, Sigmund Freud: repression, regression, reaction formation, isolation, undoing, projection, introjection, turning against one's own person, reversal into the opposite, and sublimation or displacement.
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