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The Arkesilas Painter primarily painted cups. He mainly painted symposion scenes and images from Greek mythology. The latter are dominated by depictions of Herakles, the amazons, Atlas and Prometheus. The latter two figures occur together on a single vase. [1] Apart from figural painting, he also ascribed vases bearing merely ornamental decoration.
Plan of the Ancient Agora of Athens in the Roman Imperial period (ca. 150 AD). The Stoa Poikile ( Ancient Greek : ἡ ποικίλη στοά , hē poikílē stoá ) or Painted Portico was a Doric stoa (a covered walkway or portico) erected around 460 BC on the north side of the Ancient Agora of Athens .
While most of the plume is a restoration, fragments of a leg, foot, shield and helmet were also found nearby. [2] The sculpture was part of a group, probably affixed to the sanctuary pediment. According to several scholars, it formed part of the memorial on the Spartan acropolis to honor Leonidas on his reburial. [3]
One of the most popular forms of physical activity for ancient Greek women is running. [11] The bronze statuettes of athletic Spartan girl, which depicts Spartan young women involving in racing games, provide material evidence to the accounts of different women’s races in ancient Greece.
Greek coins are the only art form from the ancient Greek world which can still be bought and owned by private collectors of modest means. The most widespread coins, used far beyond their native territories and copied and forged by others, were the Athenian tetradrachm , issued from c. 510 to c. 38 BC , and in the Hellenistic age the Macedonian ...
Byzantine art grew from the art of ancient Greece and, at least before 1453, never lost sight of its classical heritage, but was distinguished from it in a number of ways. The most profound of these was that the humanist ethic of ancient Greek art was replaced by the Christian ethic.
Myron of Eleutherae (480–440 BC) (Ancient Greek: Μύρων, Myrōn) was an Athenian sculptor from the mid-5th century BC. [1] Alongside three other Greek sculptors, Polykleitos Pheidias, and Praxiteles, Myron is considered as one of the most important sculptors of classical antiquity. [2]
Bust of Artemis, with the typical classical figure of idealized features and impassive expression.Roman copy, National Archaeological Museum of Naples Since the Severe period, the effort of artists was directed towards obtaining an increasing verisimilitude of sculptural forms concerning the living model but also seeking to transcend mere likeness to express their inner virtues.