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Music can be analysed by considering a variety of its elements, or parts (aspects, characteristics, features), individually or together. A commonly used list of the main elements includes pitch, timbre, texture, volume, duration, and form. The elements of music may be compared to the elements of art or design.
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
In summary, genre is a broader term and often refers to the overall style, structure, cultural context, or purpose of the music. For example, a rondo is based on alternation between familiar and novel sections (e.g. ABACA structure); a mazurka is defined by its distinctive meter and rhythm; a nocturne is based on the mood it creates, required ...
[1] There are many different ways of denoting the fundamental aspects of music which are more specific than "sound": popular aspects include melody (pitches that occur consecutively), harmony (pitches regarded as groups—not necessarily sounding at the same time—to form chords), rhythm, meter and timbre (also known as a sound's "color ...
These are some common forms. Binary form – musical form in two related sections, both of which are usually repeated (AA′BB′) Ternary form – three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A), usually schematized as A–B–A.
At least 6th century AD (as Indian classical music), split from Carnatic music in the 16th and 17th centuries. [2] [4] Klasik: At least 6th century AD (as Indian and Hindustani classical music), split from Hindustani classical music c. 1860. [4] [5] The classical tradition of Afghanistan, ultimately a descendant of Hindustani classical music. [5]
In his orchestral music, Beethoven achieves a "sheer variety and extreme range of color, texture, and sound" that, for the most part, are achieved without enlarging the orchestral forces used by Haydn and Mozart. [47] However, in works such as the 3rd, 5th, and 6th symphonies, Beethoven does use larger orchestras. [48]
The most common texture in Western music: melody and accompaniment. Multiple voices of which one, the melody, stands out prominently and the others form a background of harmonic accompaniment. If all the parts have much the same rhythm, the homophonic texture can also be described as homorhythmic.