Search results
Results from the WOW.Com Content Network
Lux aeterna luceat eis [m.1–36]: The sopranos and altos sing very similar parts in Ligeti's characteristic style of micropolyphony. Each part has the same sequence of notes, separated by small time intervals. The tenors enter about halfway through this section, singing in the same range as the women. Domine cum sanctis tuis in aeternum...
Requiem æternam dona eis, Domine: et lux perpetua luceat eis. Te decet hymnus, Deus, in Sion, et tibi reddetur votum in Ierusalem: exaudi orationem meam, ad te omnis caro veniet. Requiem æternam dona eis, Domine: et lux perpetua luceat eis.
"Lux aeterna luceat eis, Domine, et lux perpetua luceat eis." In English: "May eternal light shine upon them, Lord, and may perpetual light shine upon them." After a lamenting, wordless soprano solo, the piece continues with the Nuntii Latini report, recited by a baritone or tenor cantor.
Requiem aeternam dona eis Domine Et lux perpetua luceat eis. Requiescat in pace. Amen. References Further reading. Stefan König: "Puccinis geistliche Kompositionen ...
In more motion, "Dies irae" (day of wrath) is expressed by fortissimo chords, giving way to the prayer for rest in the same motion, but piano, with a crescendo on "dona eis, Domine", but suddenly softening on a last "et lux perpetua luceat eis". Then the choir repeats the opening statement of the baritone fully in unison.
Requiem aeternam dona eis, Domine, et lux perpetua luceat eis. Te decet hymnus, Deus, in Sion, et tibi reddetur votum in Jerusalem. Exaudi orationem meam, ad te omnis caro veniet. Requiem aeternam dona eis, Domine, et lux perpetua luceat eis.
Requiem for Bishop Cirilo Almario, in the Mass of Paul VI at Minor Basilica and Cathedral of the Immaculate Conception, Malolos, Bulacan, 2016 The Requiem, in the Tridentine Mass, celebrated annually for Louis XVI and victims of the French Revolution, in the crypt of Strasbourg Cathedral, 2013 Requiem Mass for Archduke Franz Ferdinand of Austria at St. Catherine's Cathedral, St. Petersburg ...
The central movement is a lively Sanctus, followed by Agnus Dei and finally Lux aeterna. In the Agnus Dei and Lux aeterna, Rutter combines the liturgical Latin text with English biblical verses. Four of the movements of the Requiem were first performed at Fremont Presbyterian Church, Sacramento, California , on 14 March 1985.