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Modern Japanese art engages heavily with themes of isolation and depersonalization, as well as the growing power and influence of digital technologies and the degree to which Japanese culture is affected by and exerts influence on an increasingly globalized and interconnected world.
The term "National Treasure" has been used in Japan to denote cultural properties since 1897. [1] The definition and the criteria have changed since the inception of the term. These paintings adhere to the current definition, and were designated national treasures when the Law for the Protection of Cultural Properties was implemented on June 9 ...
This is a timeline of Japanese history, comprising important legal, territorial and cultural changes and political events in Japan and its predecessor states. To read about the background to these events, see History of Japan .
This work has revolutionized the way Japanese art history is viewed, and Edo period painting has become one of the most popular areas of Japanese art in Japan. In recent years, scholars and art exhibitions have often added Hakuin Ekaku and Suzuki Kiitsu to the six artists listed by Tsuji, calling them the painters of the "Lineage of Eccentrics".
Department of Asian Art. "Jōmon Culture (ca. 10,500–ca. 300 B.C.)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. (October 2002) Comprehensive Database of Archaeological Site Reports in Japan, the Nara National Research Institute for Cultural Properties.
It followed the Nara period, beginning when the 50th emperor, Emperor Kammu, moved the capital of Japan to Heian-kyō (modern Kyoto). Heian (平安) means ' peace ' in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured.
As with Japanese arts in general, Japanese painting developed through a long history of synthesis and competition between native Japanese aesthetics and adaptation of imported ideas. Ukiyo-e , or "pictures of the floating world," is a genre of Japanese woodblock prints (or " woodcuts ") and paintings produced between the 17th and 20th centuries ...
The origins of Japanese handscrolls can be found in China and, to a lesser extent, in Korea, the main sources of Japanese artistic inspiration until modern times. Narrative art forms in China can be traced back to between the 3rd century CE under the Han dynasty and the 2nd century CE under the Zhou dynasty, the pottery of which was adorned ...