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Further, between the 1860s and 1900, the genre of "Yokohama-shashin" (Yokohama Photo, Photographs selling or distributing in Yokohama, 横浜写真) was very popular. Yokohama-shashin showed Japanese scenery, Japanese people (especially Japanese women) and Japanese culture. These images were very widely used as souvenirs, especially among ...
Old Japanese (上代日本語, Jōdai Nihon-go) is the oldest attested stage of the Japanese language, recorded in documents from the Nara period (8th century). It became Early Middle Japanese in the succeeding Heian period, but the precise delimitation of the stages is controversial. Old Japanese was an early member of the Japonic language ...
One page that is dedicated to celebrating photography from history is Old-Time Photos on Facebook. This account shares digitized versions of photos from the late 1800s all the way up to the 1980s.
Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
Black-and-white photos have their own nostalgic charm, but sometimes they can feel a little distant, like glimpses of a world we can’t quite connect with. ... #15 Japanese-American Camp, War ...
Plate used to print ukiyo-e. Ukiyo-e is a Japanese printmaking technique which flourished in the 17th through 19th centuries. Its artists produced woodblock prints and paintings of subjects including female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Japanese flora and fauna; and erotica.
The pictures each measure approximately 3 metres (9.8 ft) by 2.5 metres (8 ft 2 in) to 2.7 metres (8 ft 10 in); as such together they run almost 250 metres (820 ft) and, at this scale, are sometimes described as "murals" (壁画). [6] [1] Tosa washi was selected as the official support for the paintings, although not all artists chose to use it ...
By projecting all three images onto a screen simultaneously, he was able to recreate the original image of the ribbon. #4 London, Kodachrome Image credits: Chalmers Butterfield
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