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A (E major) → B (C major) → A (F major) → C (D minor) → A (E major) Schubert also composes brief transitions at the ends of each episode—that between the B section and the medial A section features a small amount of the B section's material in F major (the medial A section's key), while that between the C section and the final A ...
German Dance in C-sharp minor and Écossaise in D-flat major Deutscher in cis und Ecossaise in Des ♫ 1819 655 Sonata in C-sharp minor: Sonate in cis ♫ April 1819 I. Allegro (fragment) 664 120(p) Sonata in A major, Little A major: Sonate in A ♫ Summer 1819 or 1825 10 13 I. Allegro moderato II. Andante III. Allegro 681 Twelve Ländler
D 610, Trio in E major for piano, to be regarded as the lost son of a minuet (1818, this Trio was probably intended for the Minuet in C-sharp minor, D 600; in turn the Minuet with Trio D 600/610 tandem possibly constitute the third movement of the unfinished Piano Sonata in C major, D 613)
Piano Sonata in C-sharp minor (Tchaikovsky) Piano Sonata in C-sharp minor, D 655 (Schubert) Piano Sonata No. 14 (Beethoven) Polonaises, Op. 26 (Chopin) Prelude and Fugue in C-sharp minor, BWV 849; Prelude and Fugue in C-sharp minor, BWV 873; Prelude in C-sharp minor (Rachmaninoff) Prelude in C-sharp minor, Op. 11, No. 10 (Scriabin)
Piano Sonata in C-sharp minor may refer to: Piano Sonata No. 14 (Beethoven) , Piano sonata written by Beethoven in 1801 Piano Sonata in C-sharp minor, D 655 (Schubert)
The single fragmentary movement is in C-sharp minor and is in sonata form, breaking off at the end of the exposition. Schubert uses a three-key exposition, with a first subject group in the tonic and then a second subject group, first in E major (the relative major) and then G-sharp major (the dominant major). Unusually, the second subject ...
Legend to the table column content 1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951) [2]: 2 D utd most recent (utd = up to date) Deutsch catalogue number; [3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the ...
A good example of Schubert's departure from Beethoven's line can be found in his most overt quotation of Beethoven – the opening of the Sonata in C minor. Once Schubert's theme has reached A ♭ – the highest note in Beethoven's theme – instead of the original, witty cadence in the tonic, Schubert's theme continues to ascend to higher ...