Search results
Results from the WOW.Com Content Network
Art deities are a form of religious iconography incorporated into artistic compositions by many religions as a dedication to their respective gods and goddesses. The various artworks are used throughout history as a means to gain a deeper connection to a particular deity or as a sign of respect and devotion to the divine being.
Egid Quirin Asam, German sculptor and plasterer of late Baroque/Rococo churches and monasteries primarily in Bavaria during the Counter-Reformation; his works include the high altar or figurative art in Weltenburg Abbey, Braunau in Rohr abbey, St. Peter church in Sandizell, Asamkirche in Munich, Fürstenfeld abbey, and the Freising Cathedral ...
In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism (among other religions), sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last form is often called a mandorla.
God the Father appears in several Genesis scenes in Michelangelo's Sistine Chapel ceiling, most famously The Creation of Adam. God the Father is depicted as a powerful figure, floating in the clouds in Titian's Assumption of the Virgin (see gallery below) in the Frari of Venice, long admired as a masterpiece of High Renaissance art. [25]
Nelson-Atkins Museum of Art, Kansas City, MO, USA There was a dispute as to whether this work was a Bosch autograph or a piece by the workshop until the Bosch Research and Conservation Project concluded it to be autograph based on evidence present in the underdrawing. [6] The Temptation of St. Anthony c. 1530–1540 Oil on wood 70 × 51 cm
Coronation of the Virgin by Enguerrand Quarton (1453-54), with Christ and God the Father as identical figures, as specified by the cleric who commissioned the work. Guido Reni's Archangel Michael tramples Satan (c. 1636, in the Capuchin church of Santa Maria della Concezione, Rome). Catholic art is art produced by or for members of the Catholic ...
Most Western commentators in the Middle Ages considered the Transfiguration a preview of the glorified body of Christ following his Resurrection. [11] In earlier times, every Eastern Orthodox monk who took up icon painting had to start his craft by painting the icon of the Transfiguration, the underlying belief being that this icon is not painted so much with colors, but with the Taboric light ...
The 2nd-century work originally known as the Nativity of Mary pays special attention to Mary's virginity. [60] This dogma is often represented in Catholic art in terms of the annunciation to Mary by the Archangel Gabriel that she would conceive a child to be born the Son of God, and in Nativity scenes that include the figure of Salome.