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Cliché verre, also known as the glass print technique, is a type of "semiphotographic" printmaking. [1] An image is created by various means on a transparent surface, such as glass, thin paper or film, and then placed on light sensitive paper in a photographic darkroom, before exposing it to light. This acts as a photographic negative, with ...
Opalotype or opaltype is an early technique of photography . Opalotypes were printed on sheets of opaque, translucent white glass; early opalotypes were sometimes hand-tinted with colors to enhance their effect. The effect of opalotype has been compared "to watercolor or even pastel in its softer coloring and tender mood." [1] ".
Hand-colouring is also known as hand painting or overpainting. Typically, watercolours, oils, crayons or pastels, and other paints or dyes are applied to the image surface using brushes, fingers, cotton swabs or airbrushes. Hand-coloured photographs were most popular in the mid- to late-19th century before the invention of colour photography ...
Daguerreotype. Daguerreotype (/ dəˈɡɛər (i.) əˌtaɪp, - (i.) oʊ -/ ⓘ; [1][2] French: daguerréotype) was the first publicly available photographic process, widely used during the 1840s and 1850s. "Daguerreotype" also refers to an image created through this process. Invented by Louis Daguerre and introduced worldwide in 1839, [3][4][5 ...
Albumen print. The albumen print, also called albumen silver print, is a method of producing a photographic print using egg whites. Published in January 1847 [1] by Louis Désiré Blanquart-Evrard, it was the first commercial process of producing a photo on a paper base from a negative, [2] previous methods - such as the daguerreotype and the ...
The ambrotype, also known as a collodion positive in the UK, is a positive photograph on glass made by a variant of the wet plate collodion process. Following the invention of daguerreotypes, cheaper than the French invention, ambrotypes came to replace them. Like a print on paper, it is viewed by reflected light.
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