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French orthography encompasses the spelling and punctuation of the French language.It is based on a combination of phonemic and historical principles. The spelling of words is largely based on the pronunciation of Old French c. 1100 –1200 AD, and has stayed more or less the same since then, despite enormous changes to the pronunciation of the language in the intervening years.
In their early appearances, they are portrayed as typical young people of the 1920s, [4] and the stories and settings have a more pronounced period-specific flavor than other stories featuring more popular Christie characters. As they age, they are revealed to have raised three children – twins Deborah and Derek and an adopted daughter, Betty.
The complex but regular French sound changes have caused irregularities in the conjugation of Old French verbs, like stressed stems caused by historic diphthongization (amer, aim, aimes, aime, aiment, but amons, amez), or regular loss of certain phonemes (vivre, vif, vis, vit). Later in Modern French, these changes were limited to fewer ...
Guigemar, son of a loyal vassal to the King of Brittany, is a courageous and wise knight, who despite his many qualities, has been unable to feel romantic love.One day, on a hunting expedition, he mortally wounds a white hind, but he is injured as well.
Clarissa Oakes is the eponymous character in the novel Clarissa Oakes (published as The Truelove in the US). Her early life was very difficult; she was sexually abused as a child, then left penniless after the death of her guardian. She took a job as a book-keeper in a brothel, where she was occasionally forced to work as a prostitute. These ...
The well-made play (French: la pièce bien faite, pronounced [pjɛs bjɛ̃ fɛt]) is a dramatic genre from nineteenth-century theatre, developed by the French dramatist Eugène Scribe. It is characterised by concise plotting, compelling narrative and a largely standardised structure, with little emphasis on characterisation and intellectual ideas.
The literature of this period is often equated with the Classicism of Louis XIV's long reign, during which France led Europe in political and cultural development; its authors expounded the classical ideals of order, clarity, proportion and good taste. In reality, 17th-century French literature encompasses far more than just the classicist ...
Some of his characters are so vivid that they have become archetypes, such as Rastignac, the ambitious young provincial, Grandet, the miserly domestic tyrant, or Father Goriot, the icon of fatherhood. He gives an important place to financiers and notaries, but also to the character of Vautrin, the outlaw with multiple identities. His work ...