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Great Australian Railway Journeys is a BBC Two documentary series produced by Boundless and presented by ... the Melbourne Cricket Ground and the Puffing Billy Railway
Come Midnight Monday is a 1982 Australian children's TV series. It consisted of seven 30 minute episodes first broadcast in 1982. It consisted of seven 30 minute episodes first broadcast in 1982. [ 1 ]
Edward George White (21 August 1910 – 1994) was a British composer of light music, [1] whose compositions including "The Runaway Rocking-Horse" (1946), "Paris Interlude" (1952), "Puffin' Billy" (1952) and the signature tune for The Telegoons (1963), became familiar as radio and television theme tunes.
The Puffing Billy Railway is a 2 ft 6 in (762 mm) narrow gauge heritage railway in the southern foothills of the Dandenong Ranges in Melbourne, Australia. The railway was one of the five narrow gauge lines of the Victorian Railways which opened around the beginning of the 20th century.
Puffing Billy Tournament, a board game convention focusing on train games; Puffin' Billy, a famous piece of light music by Edward White; Puffing Billy, military jargon for the M67 Immersion Heater; Puffing Billy, a short lived comic strip in The Beano about a fat boy called Billy; Puffing Billy, a vacuum cleaner constructed by Hubert Cecil Booth
Puffing Billy is the world's oldest surviving steam locomotive, [1] [2] constructed in 1813–1814 by colliery viewer William Hedley, enginewright Jonathan Forster and blacksmith Timothy Hackworth for Christopher Blackett, the owner of Wylam Colliery near Newcastle upon Tyne, in the United Kingdom.
So far in the series, the Penguin’s purple Maserati has already come in handy multiple times. In the first episode, his luxury vehicle leads him to a down-on-his-luck teen named Victor Aguilar ...
Each show was broadcast live in color from New York City, was an adaptation of a famous Broadway play, and included commercials for Westinghouse featuring Betty Furness. [2] Using a "giant new studio," [ 3 ] plays were presented in front of a studio audience, which contributed a Broadway-like element.
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