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Thomas Dartmouth Rice (May 20, 1808 – September 19, 1860) was an American performer and playwright who performed in blackface and used African American vernacular speech, song and dance to become one of the most popular minstrel show entertainers of his time. He is considered the "father of American minstrelsy".
This article may need to be rewritten to comply with Wikipedia's quality standards. You can help. The talk page may contain suggestions. (July 2023) Detail from cover of The Celebrated Negro Melodies, as Sung by the Virginia Minstrels, 1843 The minstrel show, also called minstrelsy, was an American form of theater developed in the early 19th century. The shows were performed by mostly white ...
Eddie Leonard (October 17, 1870 [citation needed] – July 28, 1941), born Lemuel Gordon Toney, was a vaudevillian and a man considered the greatest American minstrel of his day, at a time when minstrel shows were an acceptable and popular mainstream entertainment in the United States. [1]
The Jim Crow persona is a theater character developed by entertainer Thomas D. Rice (1808–1860) and popularized through his minstrel shows. The character is a stereotypical depiction of African-Americans and of their culture. Rice based the character on a folk trickster named Jim Crow that had long been popular among enslaved black people. [1]
Tom Fletcher wrote that "In the South, a minstrel show without Billy Kersands is like a circus without elephants." [3] Over his career, Kersands played with many of the major black minstrel troupes. He was a member of Sam Hague's Georgia Minstrels, along with Charles Hicks and Bob Height.
Many of these harmful characters were created for minstrel shows, the most popular form of entertainment in the United States in the 1800s. "Minstrel show entertainment was a kind of precursor to ...
He was an integral member of the troupes with which he toured, as evidenced by the roles he played in the minstrel show presented by Pell's Ethiopian Serenaders. Juba did three dances in two forms. He performed "festival" and "plantation" dances in formal attire with Thomas F. Briggs on banjo, and dressed in drag to perform the role of Lucy ...
Lew Dockstader Bert Williams, shown here in blackface, was the highest-paid African-American entertainer of his day.. This is a list of entertainers known to have performed in blackface makeup, whether in a minstrel show, as satire or historical depiction of such roles, or in a portrayal of a character using makeup as a racial disguise, for whatever reason.