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The facade has five bays and a pedimented double portico with the original Chinese Chippendale balustrade. Crowning the house is a widow's walk with matching railing. The interior of the house displays a height and grandeur rare in the region, and is furnished with a unique collection of period furniture, art and artifacts. [3] [4]
Jamaican Georgian architecture is an architectural style that was popular in Jamaica between c. 1750 and c. 1850. [1] It married the elegance of Georgian styling with functional features designed to weather Jamaica's tropical climate. [2] It was used at all levels in society, from the most important public buildings to humble domestic dwellings.
A Rastafarian man in a rastacap at a port of Jamaica's Black River.. Originating in the 1930s, [6] one of the most prominent, internationally known aspects of Jamaica's African-Caribbean culture is the Rastafari movement, particularly those elements that are expressed through reggae music.
The foundation of the building is a cement parged brick stem wall and the decorative brick chimneys are part of a coal burning fuel system. The interior of the house reflects the Eastlake style in the mantel spindles, the ornate tile work surrounding the two fireplaces, 12-foot second story coved ceilings and other details.
A façade or facade (/ f ə ˈ s ɑː d / ⓘ; [1]) is generally the front part or exterior of a building. It is a loanword from the French façade ( pronounced [fasad] ), which means " frontage " or " face ".
The exterior style could be expressed in either wood, brick or stone, though high style examples on the whole prefer stone facades or brick facades with stone details (a brick and brownstone combination seems to be particularly common). Some Second Empire buildings have cast iron facades and elements.
The absence of load-bearing partition walls affords greater flexibility in design and use of living spaces; the house is unrestrained in its internal use. [ 2 ] Free design of the façade – separated exterior of the building is free from conventional structural restriction, allowing the façade to be unrestrained, lighter, more open.
Without a strong bond between the Formstone and the underlying brick, moisture is allowed to enter between the two materials and become trapped. Applying Formstone to rowhouses constructed with early brick from the eighteenth and nineteenth centuries caused many problems. This early brick was soft, porous, and susceptible to deterioration. [13]
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