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English: The former Shuckburgh Arms, Denyer Street, Chelsea, September 2024. Built in the mid-19th-century. Built in the mid-19th-century. This is a photo of listed building number 1225644 .
The former Shuckburgh Arms in 2024. The Shuckburgh Arms is a Grade II listed public house on the corner of Denyer Street and Milner Street, Chelsea, London. [1] It was built in the mid-19th century, but the architect is not known. [1] English Heritage have noted its "unspoilt condition". [1]
The Fox and Pheasant is a pub at 1 Billing Road, Chelsea, London SW10 9UJ. The Fox and Pheasant Public House was built c.1846-8 on land acquired by Edward Gingell from William Allen. Allen was said to have been an unreasonable and litigious man and the odd curved section dividing the frontage of the pub could derive from his wrangling over the ...
More images: Carabiniers Boer War Memorial Built into the railings of Ranelagh Gardens, opposite Chelsea Bridge: 1905: Adrian Jones: Screen with relief panels: Red brick, Portland stone and bronze — [25] More images: Awakening: Roper's Gardens: 1915: Gilbert Ledward: Statue: Bronze — Installed on this site in 1965. [26] More images ...
This is a complete list of the 192 blue plaques placed by English Heritage and its predecessors in the Royal Borough of Kensington and Chelsea. At inception in 1876 the scheme was originally administered by the Royal Society of Arts, being taken over by the London County Council (LCC) in 1901.
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The ancient parish was originally dedicated to All Saints, but by the late 17th century it had been rededicated to St Luke.It was in the Diocese of London.In 1824 a new parish church was built in the centre of the parish, it was also dedicated to St Luke and the original parish church became a chapel-at-ease known as All Saints, Chelsea or Chelsea Old Church. [1]
The Tower House in 1878. In 1863, William Burges gained his first major architectural commission, Saint Fin Barre's Cathedral, Cork, at the age of 35. [8] In the following twelve years, his architecture, metalwork, jewellery, furniture and stained glass led his biographer, J. Mordaunt Crook to suggest that Burges rivaled Pugin as "the greatest art-architect of the Gothic Revival". [9]