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The most common visual representation of the Muhammad in Islamic art, especially in Arabic-speaking areas, is by a calligraphic representation of his name, a sort of monogram in roughly circular form, often given a decorated frame. Such inscriptions are normally in Arabic, and may rearrange or repeat forms, or add a blessing or honorific, or ...
A computer screen showing a background wallpaper photo of the Palace of Versailles A wallpaper from fractal. A wallpaper or background (also known as a desktop background, desktop picture or desktop image on computers) is a digital image (photo, drawing etc.) used as a decorative background of a graphical user interface on the screen of a computer, smartphone or other electronic device.
[7] [8] In Islamic culture, the patterns are believed to be the bridge to the spiritual realm, the instrument to purify the mind and the soul. [9] David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation."
Islamic countries have developed modern and contemporary art, with very vigorous art scenes, but the degree to which these should be grouped in a special category as "Islamic art" is questionable, although many artists deal with Islam-related themes, and use traditional elements such as calligraphy.
The Arts of Islam: Treasures from the Nasser D. Khalili Collection. June–Sep 2007 Art Gallery of New South Wales, Sydney, Australia [102] Jan–May 2008 Gallery One, Emirates Palace, Abu Dhabi, UAE [103] [28] [104] Oct 2009 – Mar 2010 Institut du monde arabe, Paris, France; Passion for Perfection: Islamic Art from the Khalili Collection
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
Still, most contemporary and modern writers regard the tile work of the Masjed-e Shah as inferior in both quality and beauty compared to those covering the Lotfallah Mosque, the latter often referred to by contemporary Persian historians, such as Iskandar Munshi, as the mosque of great purity and beauty. [19]
White background with Shahadah written in Islamic calligraphy is currently used as the present-day flag of Afghanistan. Shahadah is one of the Five Pillars of Islam and part of the Adhan. It reads: "I bear witness that none deserves worship except God, and I bear witness that Muhammad is the messenger of God."