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In languages with a stress accent (accentual verse), it is the equivalent of pentameter with iambs or trochees (particularly iambic pentameter). Medieval French heroic epics (the chansons de geste ) were most often composed in 10 syllable verses (from which, the decasyllable was termed "heroic verse"), generally with a regular caesura after the ...
Iambic pentameter (/ aɪ ˌ æ m b ɪ k p ɛ n ˈ t æ m ɪ t ər / eye-AM-bik pen-TAM-it-ər) is a type of metric line used in traditional English poetry and verse drama.The term describes the rhythm, or meter, established by the words in each line.
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Accentual-syllabic verse is highly regular and therefore easily scannable. Usually, either one metrical foot, or a specific pattern of metrical feet, is used throughout the entire poem; thus one can speak about a poem being in, for example, iambic pentameter.
Furthermore, iambic pentameter (despite its name) may be better described as a series of 10 positions than of 5 feet, especially since the sequence ××// may be interpreted as the swapping of ictic and non-ictic positions across feet, suggesting that if feet constitute any kind of boundary at all, it is a porous one indeed.
Dactylic pentameter; Dactylic hexameter. Golden line; Iambic meter: any meter based on the iamb as its primary rhythmic unit. Alexandrine (iambic hexameter): a 12-syllable iambic line adapted from French heroic verse. Example: the last line of each stanza in “The Convergence of the Twain” by Thomas Hardy. [1] Czech alexandrine; French ...
An acatalectic line of verse is one having the metrically complete number of syllables in the final foot. [1] When talking about poetry written in English, the term is arguably of limited significance or utility—at least by comparison to its antonym, catalectic—for the simple reason that acatalexis is considered to be the "usual case" in the large majority of metrical contexts, and ...
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