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The double bass (/ ˈ d ʌ b əl b eɪ s /), also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched chordophone [1] in the modern symphony orchestra (excluding rare additions such as the octobass). [2]
The octobass is an extremely large and rare bowed string instrument first built around 1850 in Paris by the French luthier Jean-Baptiste Vuillaume (1798–1875). It has three strings and is essentially a larger version of the double bass – the specimen in the collection of the Musée de la Musique in Paris measures 3.48 metres (11 ft 5 in) in length, whereas a full-size double bass is ...
As with the American Standard double basses also made by H. N. White, the King Mortone basses had a longer than usual 43 + 1 ⁄ 2-inch mensure (scale length), which was about 1 1/2 inches longer than most 3 ⁄ 4 size double basses. This makes them somewhat more difficult to play for some players, though it is a key component of the ...
There is some variation in the scale length of an orchestral double bass, generally in the range 41.3–43.3 inches (1,050–1,100 mm).There are also smaller versions of this "full scale" double bass with the same scale length but with a smaller sound box, intended for other musical idioms.
The contrabassoon is a very deep-sounding woodwind instrument that plays in the same sub-bass register as the tuba, double bass, or contrabass clarinet.It has a sounding range beginning at B ♭ 0 (or A 0, on some instruments) and extending up over three octaves to D 4, though the highest fourth is rarely scored for.
A Gibson Mandobass (center rear), displayed for size comparison. There are three main variants of the mandobass: The large four-string mandobass has a much longer neck and is tuned EADG, like a double bass or bass guitar. It was popular in early 20th century American and European mandolin ensembles.
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The playing ranges of the instruments in the violin family overlap each other, but the tone quality and physical size of each distinguishes them from one another. The ranges are as follows: violin: G 3 to E 7 (practical, notes up to A7 are possible); viola: C 3 to A 6 (conservative); violoncello: C 2 to A 5 (conservative); and double-bass: E 1 to C 5 (slightly expanded from conservative estimate).
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