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The last great castrato roles were composed specifically for him: Arsace in Rossini's Aureliano in Palmira (1813) and Armando in Meyerbeer's Il crociato in Egitto (1824). He made his London debut in 1825 in Il crociato in Egitto. The crowds reacted poorly to his initial performances as he was the first castrato to appear in London in 25 years ...
Alessandro Moreschi c. 1914. Moreschi's Director at the Sistine was Domenico Mustafà, himself once a castrato soprano, who realised that Moreschi was, amongst other things, the only hope for the continuation of the Sistine tradition of performing the famous setting of the Miserere by Gregorio Allegri during Holy Week.
A castrato (Italian; pl.: castrati) is a male singer who underwent castration before puberty in order to retain singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice can also occur in one who, due to an endocrinological condition, never reaches sexual maturity.
Farinelli is a 1994 internationally co-produced biographical drama film directed by Gérard Corbiau and starring Stefano Dionisi, Enrico Lo Verso, Elsa Zylberstein, and Jeroen Krabbé.
Giovanni Carestini (13 December 1700 in Filottrano, near Ancona – 1759 in Bologna) was an Italian castrato of the 18th century, who sang in the operas and oratorios of George Frideric Handel. He is also remembered as having sung for Johann Adolf Hasse and Christoph Willibald Gluck .
The World of the Castrati: The History of an Extraordinary Operatic Phenomenon transl. M. Crosland, Souvenir Press; Emerson, Isabelle Putnam (2005) Five Centuries of Women Singers. Greenwood Publishing Group. Rice, Paul F. (2015) Venanzio Rauzzini in Britain: Castrato, Composer and Cultural Leader. Rochester, NY: University of Rochester Press.
Angelo Maria Monticelli (c. 1710 – September 1758 or 1764) was an Italian castrato, appearing in operas in Italy, Vienna, Dresden, and from 1741 to 1746 in London. Life [ edit ]
Born in Siena in about 1735, Tenducci became a castrato and he was trained at the Naples Conservatory. [2] Castration was illegal in both church and civil law, but the Roman Church employed castrati in many churches and in the Vatican until about 1902; and throughout the 17th and 18th centuries the public paid large sums of money to listen to the spectacular voices of castrati in the opera houses.
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