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One of the first-recorded uses of this phrase was by the character Lady Macbeth in Act 3, Scene 2 of the tragedy play Macbeth (early 17th century), by the English playwright William Shakespeare, who said: "Things without all remedy Should be without regard: what's done, is done" [2] and "Give me your hand. What's done cannot be undone.
Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
Macbeth (Italian pronunciation: [ˈmakbet; makˈbɛt]) [1] is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, Macbeth was Verdi's tenth opera and premiered on 14 March ...
The main character, Caleb Williams is of humble birth, unusual for Godwin, since his characters are often persons of wealth and title. [3] Caleb Williams, a poor, self-educated, orphaned young man, and the novel's first-person narrator, is recommended for a job on the estate of the wealthy Ferdinando Falkland.
Lord Macduff, the Thane of Fife, is a character and the heroic main protagonist in William Shakespeare's Macbeth (c.1603–1607) that is loosely based on history. Macduff, a legendary hero, plays a pivotal role in the play: he suspects Macbeth of regicide and eventually kills Macbeth in the final act.
Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.
"On the Knocking at the Gate in Macbeth" is an essay in Shakespearean criticism by the English author Thomas De Quincey, first published in the October 1823 edition of The London Magazine. It is No. II in his ongoing series "Notes from the Pocket-Book of a Late Opium Eater" which are signed, "X.Y.Z.". [ 1 ]
J. R. R. Tolkien, a philologist and medievalist as well as a fantasy author, recorded that he disliked William Shakespeare's work. [1] In a letter, he wrote of his "bitter disappointment and disgust from schooldays of the shabby use made in Shakespeare [in Macbeth] of the coming of 'Great Birnam wood to high Dunsinane hill'".