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In music theory, the term period refers to forms of repetition and contrast between adjacent small-scale formal structures such as phrases. In twentieth-century music scholarship, the term is usually used similarly to the definition in the Oxford Companion to Music : "a period consists of two phrases, antecedent and consequent, each of which ...
Vowels other than /a/ are often syncopated in unstressed word-internal syllables, especially in contact with liquid consonants or, to a lesser extent, nasal consonants or /s/, as in /ˈanɡulus, ˈkalida, ˈspekulum/ > /ˈanɡlʊs, ˈkalda, ˈspɛklu/.
Baroque Period (1600—1750) "The system of major and minor scales developed during the early part of the baroque period. This coincided with the emergence of key consciousness in music." [3] Classical Period (1750—1825) "The major and minor keys were the basis of music in the classical period. Chromaticism was decorative for the most part ...
Baroque music (UK: / b ə ˈ r ɒ k / or US: / b ə ˈ r oʊ k /) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. [1] The Baroque style followed the Renaissance period , and was followed in turn by the Classical period after a short transition (the galant style ).
Date ranges of classical music eras are therefore somewhat arbitrary, and are only intended as approximate guides. Scholars of music history do not agree on the start and end dates, and in many cases disagree whether particular years should be chosen at all. The 20th century has exact dates, but is strictly a calendar based unit of time.
Musical era (or period) – distinct time frame in the history of music characterized by specific styles, practices, and conventions. Each period reflects the cultural, social, and political contexts of its time. The following is an overview of the stylistic movements within each period.
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The Classical Period was an era of classical music between roughly 1750 and 1820. [1]The classical period falls between the Baroque and Romantic periods. [2] Classical music has a lighter, clearer texture than Baroque music but a more varying use of musical form, which is, in simpler terms, the rhythm and organization of any given piece of music.