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"Everybody Hurts" is a song by American rock band R.E.M. from their eighth studio album, Automatic for the People (1992), and released as a single in April 1993 by Warner Bros. Records. It peaked at number 29 on the US Billboard Hot 100 , but fared much better on the US Cash Box Top 100 , where it peaked at number 18.
Rutter set "Look at the world" as a harvest anthem [1] to his own lyrics [2] in 1996. [3] He responded to a commission from the Council for the Protection of Rural England, meant to be "a widely-usable choral song or anthem on the theme of the environment and our responsibility towards it". [4]
Suite Antique is a 1979 concertante work by John Rutter that is written for harpsichord, flute and string orchestra. [1] [2]Rutter composed the piece, in six movements, for a concert at which Bach's fifth Brandenburg concerto was to be performed, and so decided to write the piece for the same ensemble. [3]
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Other singles charted higher overseas: "Everybody Hurts" charted in the top ten on the United Kingdom singles chart, Canada, and Australia. [ 37 ] A live, harder, version of "Drive" appears on the Alternative NRG , recorded at Athens' 40 Watt Club on November 19, 1992, during an invitation-only concert supporting Greenpeace Action.
The band performed a heartfelt version of the R.E.M. song “Everybody Hurts”, as well as debuting two unreleased compositions: the songs “Radio” and “At Your Side”, with lyrics by Sharon Corr, would eventually go on to be re-recorded and featured on their album In Blue, the following year.
Fancies is a cycle of six choral settings by John Rutter, created around whimsical themes and based on text from poets such as Shakespeare, Thomas Campion (1567–1620), Edward Lear (1812–1888) and others. The collection was originally written in 1971. Rutter recorded a recording with other compositions which was rereleased in 2005. [1]
Robert Timothy Wilkins (Reverend Robert Wilkins, January 16, 1896 – May 26, 1987) [1] was an American country blues guitarist and vocalist, [2] of African-American and Cherokee descent. [3] His distinction was his versatility: he could play ragtime, blues, minstrel songs, and gospel music with equal facility. [3]
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