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Braided area rugs can be constructed in a variety of different ways including a banded braid construction, cloth braid construction, flat braid construction and yarn braid construction. Banded braid constructions have wide bands of either solid colored or variegated braids made from predetermined patterns to offer an appealing, thick look.
Soumak flat-weave rug from Quba Rayon or Daghestan, mid-19th century.. Caucasian carpets and rugs are primarily made in villages, rather than in cities. [1] They are made from materials particular to individual tribal provinces, the rugs of the Caucasus normally display bold geometric designs in primary colors.
The weft is generally of wool, in dark ivory to brown. The ends are flat-woven, light cotton or wool sumakh. The fringes are sometimes artistically knotted. The selvedges are either round, or 0.5–1 cm wide, in white cotton, with 2–3 ribs in figure-of-eight wrapping with supplemental threads.
Red tones in Navajo rugs of this period come either from Saxony or from a raveled cloth known in Spanish as bayeta, which was a woolen manufactured in England. With the arrival of the railroad in the early 1880s, another machine-produced yarn came into use in Navajo weaving: four-ply aniline dyed yarn known as Germantown because the yarn was ...
Tibetan khaden (sleeping rugs) with designs typical of 19th century weavings. Tibetan carpets from the 19th century (perhaps earlier, though mostly carpets from the 19th century survive) are relatively restrained in terms of design and coloring, carpet makers at that time being restricted to a narrow range of natural dyes including madder (red), indigo (blue), Tibetan rhubarb (yellow) and ...
In the Inca Empire of the Andes, both men and women produced textiles. [35] Women mostly did their weaving using backstrap looms to make small pieces of cloth and vertical frame and single-heddle looms for larger pieces. [36] Men used upright looms. The Inca elite valued cumbi, which was a fine tapestry-woven textile produced on upright looms.
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