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Hot Rhumba (Spanish: Rumba caliente) is a 1952 Mexican musical comedy film directed by Gilberto Martínez Solares and starring Adalberto Martínez, Lilia Prado and Óscar Pulido. [1] [2] It was shot at the Churubusco Studios in Mexico City. The film's sets were designed by the art director José Rodríguez Granada.
[citation needed] The lock melody while constantly varied, maintains a specific relationship to clave, and corresponds to the basic side-to side rumba dance steps. The attack points of the lock and the basic steps are contained within a single cycle of clave (the key pattern of rumba). Put another way, the lock spans four main beats, or a ...
Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas , during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka , as well as the Spanish-based coros de clave .
In the 1960s, the conga became a prominent instrument in Haitian popular music styles such as konpa, yeye and mini-djaz. [18] Conjuntos and orchestras playing Colombian dance music have incorporated cumbia rhythms, traditionally played on tambores known as alegre and llamador, to the conga drums. The standard Colombian cumbia rhythm is simple ...
Volume II kicks off with "Descarga caliente", a 17-minute montuno jam, [nb 1] while side B features a rumba, a chachachá and a Santería ritual performance. Volume III (1958, red cover) was directed by tresero Niño Rivera and it comprises three montuno tracks combined with swing, guajira and chachachá, plus a guaguancó-comparsa. [5]
In the late 1930s and early 1940s, a fusion of bambuco and Afro-Cuban music was developed in Colombia by artists such as Emilio Sierra, Milciades Garavito, and Diógenes Chaves Pinzón, under the name rumba criolla (creole rumba). [19] Rumba criolla is classified into different regional styles such as rumba antioqueña and rumba tolimense. [20]
The Son cubano itself was born from a synthesis of different popular styles such as the Rumba Urbana and Rumba Rural, and performed until the 1930s by amateur musicians. [7] Another Cuban folk music style emerged between the end of the 19th century and the beginning of the 20th in the poor neighborhoods of Havana.
Puchito Records was Cuba's second independent record label. It was founded in 1954 during the mambo and cha-cha-chá explosion of the 1950s. Many of its recordings, produced by its founder Jesús Gorís (1921–2006), became instant hits.