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The sale of 17 and 18 March featured 1,837 pictures; the Louvre had 1,406 at the time. [5] The collection included Fra Angelico's Last Judgement and Poussin's A Dance to the Music of Time. [6] It was next owned by Claudius Tarral of Paris and sold at his sale at Christie's, London on 11 June 1847 (lot 55) as Adoration of the Shepherds by ...
Nativity images became increasing popular in panel paintings in the 15th century, although on altarpieces the Holy Family often had to share the picture space with donor portraits. In Early Netherlandish painting the usual simple shed, little changed from Late Antiquity, developed into an elaborate ruined temple, initially Romanesque in style ...
The landscape varies, though scenes in the background of a Nativity very often show the shepherds on a steep hill, making visual sense of their placement above the main Nativity scene. The number of shepherds shown varies also, [18] though three is typical in the West; one or more dogs may be included, as in the Taddeo Gaddi (right, with red ...
The painting is in oil on canvas and in good condition, with minor losses; it measures 109.2 cm × 138.7 cm (43.0 in × 54.6 in). The Adoration of the Shepherds is a very common subject in the Nativity of Jesus in art, and the composition is an arrangement of the conventional components, including the Holy Family, the ox and ass or donkey, angels, and three shepherds, two old and one young.
The Adoration of the Shepherds shows a nocturnal scene with Mary bending over the Child in prayer. Joseph is standing over them holding a candle, but the main light source is coming from the crib. The Child lies on a bed of hay that matches his Mother's halo, surrounded by winged cherubs.
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